It is very fluent in it’s transitions from articulation to articulation and ideal in situations where composers prefer to play their compositions in live and make small tweaks afterwards. This makes it very useful for players to customise their own patch to suit their playstyle and type of MIDI keyboard being used. You can easily identify the settings from con sordino and true legato and modify virtually all of the keyswitches by holding down SHIFT when selecting the correct parameter. You can easily do this by ALT+clicking the desired articulation to turn it off. I would also recommend purging any of the samples in the patches you are not using to limit the amount of resources being used up at any one time. I would recommend on a small-ish system, making sure you’re loading multiple patches in one instance of Kontakt to preserve CPU and RAM usage. It is however a hungry library in terms of RAM. The library is very easy to setup and get going. Now this article will be much shorter than my previous article as the bulk of the content will be in the video review provided but I will cover a few points for those of you just want a quick overview of the library whilst on the go. So the opportunity to review the library came and I jumped at the chance. I must admit, prior to receiving my copy to review, my hand was already in my pocket, eager to try out what the team had in store.
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